Sunday, November 18, 2007
Sunday, November 11, 2007
My first roll of Fujichrome Velvia 50
I read about the news in a photography magazine, in which Charlie Waite, one of the renowned British landscape photographers, reviewed and compared the new with the old. Here's his verdict:
My conclusion is that the new Velvia 50 is by a whisker slightly warmer, albeit aided and abetted by magenta. I made an image in a lit landscape setting (old Velvia) and intentionally in the same place with a 50% overcast setting (new Velvia) and was keen to note the changes. I concluded that I would be more than happy to live with either and it would be churlish to suggest a marked difference between the two. Resolution and definition is unchanged - still terrific.
Likes: Fine grain, punchy colors, terrific resolution and definition, extra warmth
Dislikes: None really, but I will be intrigued to see how new Velvia 50 performs with extreme backlit greens, which is about the only area where the old Velvia was weak.
So I bought myself a roll (120) to try out. The price is $8.50 per roll (120 format). I'll put up the images I made, soon. Do come back and keep a look out. If you'd like to know of my updated posts, do let me know so I can add you in my mailing list.
Friday, November 9, 2007
Vespa Scooter
Overall the lighting was just nice and look at that front tyre - so clean, good as new. The varnish on the scooter body is clean and shiny too. This image was made on Kodak UltraMax 400 color negative in Nikon FM10 with 50mm f/1.8 lens. I converted it to B&W in Photoshop. The original body color on the scooter is coffee color.
Sunday, November 4, 2007
Best of Friends
Friday, October 26, 2007
Mamam Beach II
This is another photograph I made at Mamam Beach. It was a challenging scenery to work on. Again I took many bracket shots and using the same treatment as I did for the first photograph in Photoshop.
The sky was the most tricky part to handle. As this was a test shot, using my HOYA ND-400, I intended to play around the images in Photoshop, with as minimum as possible in manipulations. If I'd shoot film, I'd apply more filters at the time of exposing, especially the most indispensable ND Grad filter. It helps to cut down lotsa light from the sky, so as to bring out more clouds details and balance out the brightness and contrast.
Of course I still have to apply the darkroom technique i.e. burning & dodging, thereafter. Well I'll definitely go back there for another attempt. Hopefully I'll make it more successful in both digital and film.
Thursday, October 25, 2007
Mamam Beach @ Pulau Ubin
The weather was good. It was overcast through out the whole day, with minor dark clouds passing by. Well, fortunately without any drizzle or rain. It was the perfect condition for the kind of photography I wanted to make. Note that the sea water is blur due to the wave motion and long exposure timing. At the time of exposing, there was sea breeze which resulted to the motion blur of the palm tree leaves on the top frame.
For this scenery, I made many bracket shots with my D70s on Tamron 17-35mm wide angle lens, mounted on tripod at waist level. Focal length at 17mm. I combined 2 of the best exposed brackets in layered format (*.psd). Converted to black & white in Adobe Photoshop CS2, with standard burning technique on the foreground sand and sky, to bring out more clouds details.
As it was a test shot, I shot in JPEG Large format. In my future attempts, I'll be shooting in RAW format. More images coming soon.
Manfrotto moves
Tuesday, October 9, 2007
Chinese Tea Master
The Chinese Tea Master is at work. I made this small series of photographs about a week ago at Geylang East Home For The Aged. They were celebrating Mid-Autumn Festival in the neighborhood of Aljunied. This is an annual event and it was my first time taking part in voluntary work for the organiser, Mr. Walter Lee who is the person in charge of all the event set-up and co-ordinations. Briefly speaking, I got to know Mr Lee during my first particpation of Eye The City 2005 in Bencoolen Street. Last year I was asked to help but unfortunately due to the serious hazy period, I fell ill and unwell. I couldn't make it as I had promised Mr Lee. Well in a word, I felt bad about it so this year I made a point to come back to help him taking photographs. Of cuz for the cause of good deeds.
As everyone was preparing and setting up for the evening program, I wandered around taking photographs. They have games for the kids on the opposite side of the main stage, which is about 50 meters away. I'll post up some of those fun photographs soon.
In between these 2 areas, there's a short passage where they have had stalls on Art & Craft and Gardening. I will also post up some of the photographs here. Well I don't think I would want to put up any of the main stage photographs as they aren't as interesting as the photographs I took of the others.
Coming back to these 5 photographs, I consider them to be my favorites and best pictures for that day. It was a pity I didn't get to know more about the Tea Master, but I'm sure one day I'll do a short interview with him and more better portraitures of him as well.
© 2007 Martin Liew Photography.
Nikon FM10 on Ilford XP2 Super • Tamron 17-35mm
Tuesday, September 18, 2007
Sleeping Dog
Monday, September 17, 2007
River Cleanliness
Sunday, September 9, 2007
F*#K BUSH!
Stamford Raffles Has Something To Say
"A country that forgets itself is a sad country."
One Buck Short @ BAYBEATS 2007
Saturday, September 8, 2007
Kate of Kale @ BAYBEATS 2007
Thursday, September 6, 2007
TooKoo @ BAYBEATS 2007
Everybody Loves Irene @ BAYBEATS 2007
vocals, chants, screams, backing vocals