That time of the year has arrived! I've designed this eCard and sincerely sending out to all my friends, blog readers, supporters and the people I know - wishing all a happy holidays and a great new year to come! Cheers!
Wednesday, December 24, 2014
Sunday, December 21, 2014
Kodak Single Use Camera Series: Street Photo 6 - "I Am Pissed!"
I Am Pissed |
This is the sixth street photo from Kodak Single Use Camera series.
Eminent Plaza was announced for redevelopment and all tenants have had since moved out. Somehow graffiti artists were invited to create colorful artwork on the building's surrounding walls which I think it's a good deed for them to unleash their creativity.
For weeks I've seen the building and its graffiti, and finally on one weekend I visited the place with my Kodak single use camera. I came upon this graffito as shown in the photo above. I noticed the shop window glass reflection on the right, so I decided to wait for a few minutes for anyone who walks by.
A few people, young and old, both genders walked past but I found their facial expressions not right. I waited for another 10 minutes or so and my patience paid off well. I saw a person walking towards me from the camera right behind the window glasses. Because of the window reflections and low light condition behind it, I couldn't tell the person's gender. Well with much anticipation, I took squat position for a low angle shot, pointed the camera and framed the shot. When the person finally walked out from behind the window glasses, I released the shutter. Only then I discovered the person is a man. I smiled and noticed his facial expression. He was frowning but not upset about me taking his photo. Well I believe he didn't know or couldn't tell if I took his photo because of my position. He might thought I was just taking pictures of the graffiti behind him.
When I got back my negatives from the photo lab, I looked through the photos and saw this shot. I zoomed in to take a closer look at the man's facial expression, and BINGO!! I hit the jackpot! His expression does look like he was pissed. It goes so well with the graffito text on the wall. I consider this shot to be a lucky one and I am happy to be so lucky at the right place at the right time.
Sunday, December 14, 2014
Kodak Single Use Camera Series: Street Photo 5 - Umbrella Lady
Umbrella Lady |
This is the fifth street photo from Kodak Single Use Camera series.
This is another attempt at capturing water reflection street shot. Something about this Indian lady with her beautiful warm yellow saree, long pitch black hair and red umbrella that caught my attention. I was right behind her at a distance and I picked up my pace quickly in order to catch up with her as she walked along the water puddle on the road side. Yes I wanted to capture her along with her water reflection. I stopped to compose the shot and just as she reached the spot I released the shutter.
Sunday, December 7, 2014
Kodak Single Use Camera Series: Street Photo 4 - Youth Sikhs
Youth Sikhs |
This is the fourth street photo from Kodak Single Use Camera series.
Deepavali - Festival of Lights was just the around the corner. I was roaming along the streets of Little India on a typical late afternoon. When I came to the pedestrian crossing right opposite the famous Sri Veeramakaliamman Temple, a group of young Sikhs were chatting and laughing away, enjoying themselves. Without hesitation, I took a quick snapshot. Just as I looked through the viewfinder, the young Sikh with the red colored turban turned and looked at me with a pleasant smile. That friendly smile seem to imply a welcome gesture, perhaps for more photo shoots. Instead of asking all of them for a group shot, I looked at that young Sikh and gave him back a big smile with a little nod as a gesture of appreciation or "Thank you!". Thereafter I walked away.
Hidden and Found
SURPASS P&S SC-911 |
About a week ago, I found this plastic point-&-shoot camera in my closet; hidden for a long time that I have no memory of owning this camera at all, and I was searching for other stuff when I found it.
It's scarce these days to find a plastic point-&-shoot film camera with a hot shoe on it. OK here's the little specification of this camera.
Lens: 35mm Wide Angle Optical Lens
Focus: 1.5 m to infinity
Shutter Mechanism: 1/125 second
Film Advance: Manual (Gentle)
Film Rewind: Manual
1 Push Rewind Button
2 Winding the Rewind Switch
Hot Shoe: For Indoor Photo
Flash-LightGuide No.:
• 40 for ASA 100
• 60 for ASA 200
I was quite excited about it and planning to load a film to shoot, but after some tests on its shutter mechanism, the leaf shutter clicks but doesn't open at all. Sad to find out it's out of order. Well, I'm sure it would be better to get a proper high quality point-&-shoot film camera e.g. Contax T3, Ricoh GR and many others.
I had never used this camera before and therefore I could not show you photographs taken with it. But recently I loaded a KODAK Portra 400 on my Vivitar PN2011. Well I guess it's all because of the recent use of KODAK Single Use Camera a.k.a. Disposable Camera, that I really really enjoy using point-&-shoot cameras. And I love the photo quality too.
Unfortunately for this SC-911, there's nothing I can do to revive it but to dump it.
Unfortunately for this SC-911, there's nothing I can do to revive it but to dump it.
Sunday, November 30, 2014
Kodak Single Use Camera Series: Street Photo 3 - OH!
OH! |
This is the third street photo from Kodak Single Use Camera series.
I was on the public bus heading towards the city area to do street photography. I deliberately chose this seating because of the inverted words "24 HOURS..." - a bus advert tagline for a local supermarket. I lifted up my camera and looked through the viewfinder, trying to compose my shot with the inverted letters 'H' and 'O' which form a "OH" into the frame.
Usually when I do street photography, I do not set out with a project or theme in mind, but there are times that I wanted to be creative. Hence I pre-visualized of a street character who would be making facial expression e.g. mouth wide opened suggesting a yawn or in astonishment. An unique street character that would fit into the frame in juxtaposition with the "OH" word.
Along the bus journey there wasn't one ideal character. Then it dawned on me that I was blinded by my own judgement and vision in wanting to achieve something that was beyond my controls. Street photography is about life that is unpredictable on the streets; unforeseen and unexpected events unfold itself, calling for spontaneous responses from the photographer with as much anticipation as possible. Now I truly understand that, the more I desire for the "perfect" and idealistic street photo, the slimmer or zero chance of attaining it.
It was just a couple of bus-stops away from my destination and I wasn't ready to give it all up yet. When the bus came to a halt at a traffic junction, I spotted a small group of 5 Indian monks waiting at the pedestrian crossing perhaps attempting to cross the road or to hail a taxi. After a few moments, the monks started to walk against the traffic towards my direction.
Upon seeing this, I already got my camera ready to make one decisive snapshot, and that was how I got this shot. The blob of light reflected on the glass window came from the camera built-in flash. Due to the last shot with flashlight, the capacitor had some leftover flash power stored and it fired in the next shutter release. Well I took it as a blessing in disguise. Lights and monks can be tied in relation to Buddhism concept of Enlightenment. Luck and chance are 2 important factors that are helpful in street photography. In the end I'm still happy with this snapshot.
Sunday, November 23, 2014
Kodak Single Use Camera Series: Street Photo 2 - Public Runway
Public Runway |
This is the second street photo from Kodak Single Use Camera series. You don't get to see such street scene often, especially in downtown Orchard Road area. I think this couple are tourists. The way they carried themselves care-freely in public space, and their contrasting clothing are just as eye-catching and quirkier as they can get.
Sunday, November 16, 2014
DIY Video on How To Mount and Frame Your Photo Prints
Just came across this nice DIY video on mounting and framing photo prints demonstrated by Tony Roslund. Thought it would be good to share with my fellow readers.
I used to mount 27"x40" movie posters on 5mm thick single-sided adhesive kapaline boards or single-sided adhesive compressed foam boards in my former company. Kapaline board is a lot more rigid and doesn't warp over time compared to the soft foam board. Prices vary for each type of board used.
The hard rubber roller prayer is really useful to squeeze out/flatten out the air bubbles/pockets, which is a pretty common occurrence. If you do it right, none will occur. The method I used was quite different from Tony's, which of course, Tony's mounting and framing work is skillful and requires precision as he's dealing with client's photo print.
For my case, I'd make a shallow slit on the adhesive side of the board and remove the protective layer sheet. With the adhesive part exposed, I position and place the whole poster right onto the board where the middle portion is sticked onto the adhesive part. Next, I'd use the roller to roll over to assure that part is securely sticked on. The reason for doing so is to minimize air pockets when I start to mount the rest of the poster.
If I position and stick the top of the poster onto the adhesive board and working my way downwards, it would create uneven mount with many air pockets, or worst of all, ruin the whole poster with disastrous "twinkles".
Starting out from the middle is 100% safer. So in the next step, I would tear out the adhesive protector sheet on either side; top or bottom, bit by bit as demonstrated by Tony in his video on the rolling part. Once completed, I check that everything is good and flattened. Then I'd use a OLFA knife (the type loaded with snap-off blades) and a super long metallic ruler to trim the poster to size.
Mounting job completed. Needless to say, mounting and framing do require a huge sized table and space, so no other unnecessary stuff lying around and obstruct the work. So it's good to start out with smaller prints of 8"x10", as mentioned by Tony in the video.
Happy mounting and framing!
I used to mount 27"x40" movie posters on 5mm thick single-sided adhesive kapaline boards or single-sided adhesive compressed foam boards in my former company. Kapaline board is a lot more rigid and doesn't warp over time compared to the soft foam board. Prices vary for each type of board used.
The hard rubber roller prayer is really useful to squeeze out/flatten out the air bubbles/pockets, which is a pretty common occurrence. If you do it right, none will occur. The method I used was quite different from Tony's, which of course, Tony's mounting and framing work is skillful and requires precision as he's dealing with client's photo print.
For my case, I'd make a shallow slit on the adhesive side of the board and remove the protective layer sheet. With the adhesive part exposed, I position and place the whole poster right onto the board where the middle portion is sticked onto the adhesive part. Next, I'd use the roller to roll over to assure that part is securely sticked on. The reason for doing so is to minimize air pockets when I start to mount the rest of the poster.
If I position and stick the top of the poster onto the adhesive board and working my way downwards, it would create uneven mount with many air pockets, or worst of all, ruin the whole poster with disastrous "twinkles".
Starting out from the middle is 100% safer. So in the next step, I would tear out the adhesive protector sheet on either side; top or bottom, bit by bit as demonstrated by Tony in his video on the rolling part. Once completed, I check that everything is good and flattened. Then I'd use a OLFA knife (the type loaded with snap-off blades) and a super long metallic ruler to trim the poster to size.
Mounting job completed. Needless to say, mounting and framing do require a huge sized table and space, so no other unnecessary stuff lying around and obstruct the work. So it's good to start out with smaller prints of 8"x10", as mentioned by Tony in the video.
Happy mounting and framing!
Kodak Single Use Camera + Street Photo
Some time in mid October, I bought this Kodak single-use camera a.k.a. disposable camera at a neighborhood photo lab for $15.90SGD. I got an interesting and fun idea about using this type of camera, which I would not talk about it yet on this blog today. What I want is to share with you readers some of the "I-considered-good" street photographs I took using this camera. The photos will be posted here on this blog every Sunday morning 9:00AM (SGT).
Not in black and white but in color. So make the jump to see the first photo post.
Street Photos Published On Magazine
Excerpt from Inspired Eye eZine |
A few moments ago I received an email from Inspired Eye in which I was notified that my street photos were selected and published in their magazine Issue #15 under Inspired Readers gallery section.
Two out of the three street photos I submitted are published as seen on the excerpt above. This is the one they did not select which I believe they found the above two photos have stronger visual impact. I wouldn't agree more.
It's always great to see my work published on foreign magazines. Inspired Eye is a monthly magazine on Street Photography, with subscription fee at a reasonable $4.95USD. I was surprised that they did include URLs to respective readers' photography website, perhaps as a token of appreciation for photo submission. It's great and helpful in drawing more traffic to my website.
Monday, October 20, 2014
Black and White Photo Challenge
Day #5
Mirror Selfies |
Nominated by Jeff Foto to post a B&W photo for 5 days and to nominate a different person to do so for the next 5 days.
On this last day of the photo challenge, I nominate Luke Yeo to take up this photo challenge where he will post one B&W photo each day for the next 5 days. Over to you, Luke! May the Force be with you.
Photo info:
Accidentally discovered this elevator with mirrors on all sides except the elevator slide doors. I'm always drawn to the symmetrical patterns created by the stacked mirror reflections. At that point of time when I entered the elevator, I already knew what I wanted to capture. I took out my swing lens camera, Horizon Perfekt with a fixated wide angle lens of 28mm that covers 45° view angle top and bottom and a 120° horiontal swing, which is enough to capture this panoramic photo on Kodak Tri-X 400.
On this last day of the photo challenge, I nominate Luke Yeo to take up this photo challenge where he will post one B&W photo each day for the next 5 days. Over to you, Luke! May the Force be with you.
Photo info:
Accidentally discovered this elevator with mirrors on all sides except the elevator slide doors. I'm always drawn to the symmetrical patterns created by the stacked mirror reflections. At that point of time when I entered the elevator, I already knew what I wanted to capture. I took out my swing lens camera, Horizon Perfekt with a fixated wide angle lens of 28mm that covers 45° view angle top and bottom and a 120° horiontal swing, which is enough to capture this panoramic photo on Kodak Tri-X 400.
Sunday, October 19, 2014
Black and White Photo Challenge
Day #4
Nominated by Jeff Foto to post a B&W photo for 5 days and to nominate a different person to do so for the next 5 days.
It's 4th Day today. I nominate Jonathan Danker to take up this photo challenge where he will post one B&W photo each day for the next 5 days. Over to you, Jonathan!
Photo info:
Nikon D70s on Tamron 17-35mm @ 24mm (36mm) | f/11.0 1/250 sec | ISO 400 Daylight WB Center-weigh metering | Post-processed in Photoshop.
It's 4th Day today. I nominate Jonathan Danker to take up this photo challenge where he will post one B&W photo each day for the next 5 days. Over to you, Jonathan!
Photo info:
All elements in this photo came
together perfectly at the right place and at the right time. Elements of
different shapes and sizes consist of the red circular board on top, rectangular white board, four triangular shapes formed by the subject's arms
and the two biker's right legs (both in same pedaling position, forming a
symmetrical pattern) and lastly the four circular wheels of the two bicycles.
In fact, there are additional shapes formed by the tiles on the ground.
Nikon D70s on Tamron 17-35mm @ 24mm (36mm) | f/11.0 1/250 sec | ISO 400 Daylight WB Center-weigh metering | Post-processed in Photoshop.
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